Category : Articles

thumbnail Apr 14

Lilian Garcia-Roig wins Guggenheim Fellowship

Lilian Garcia-Roig, chair and professor in the Department of Art at Florida State University, is one of 184 Guggenheim Fellows selected to the class of 2021. She is one of roughly 3,000 artists, writers, scholars, and scientists who participated in the John Simon Guggenheim Memorial Foundation’s 97th competition. Her fellowship is in the Creative Arts: Fine Arts category.

Lilian was born in Havana, Cuba in 1966 and was raised in Houston, Texas.

Wikipedia Link

Other posts

Images of her work

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thumbnail Mar 30

Cleveland Museum of Art – Additions to the collection

Cleveland Museum of Art’s Diverse New Acquisitions Range From A 16th-Century Marble ‘Dido’ to Amy Sherald’s ‘Handsome’ Portrait. The acquisitions include a work by Zilia Sánchez -Troyanas (de la serie Módulos Infinitos) [Trojans (of the Infinite Module series)], an impressively scaled modular painting. This work adds to the museum’s contemporary holdings of Latin American art.

Cleveland Museum of Art’s announces new acquisitions to include the work of Zilia Sanchez. The diverse new acquisitions range from a 16th-Century Marble ‘Dido’ to Amy Sherald’s ‘Handsome’ Portrait. The additions include Zilia Sánchez’s Troyanas (de la serie Módulos Infinitos) an impressively scaled modular painting. This work adds to the museum’s contemporary holdings of Latin American art.

CANY Blog Posts

Wikipedia

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thumbnail Jan 4

Guttenburg Arts Presents Winter/Fall Residencies

The Space and Time Artist Residency (STAR) from Guttenburg Arts provides $1,200 stipend to cover materials, travel and lodging for awardees. Gutenberg Arts provides artists with opportunities to create cultural experiences.  

Artists gain access to a professional workspace for the visual arts that includes printmaking, dark room and ceramics facilities. The duration of the residency is three months, and it is located in Guttenberg, New Jersey.  Each participant gains a spot in a group show at the end. In addition, they will spend at least fifteen hours in the studio.  The 4,500 sq. ft. space is open twenty-four hours, seven days a week.  Towards the end of the program, artist give a free public artist lecture or workshop. 

The residency is a prime opportunity in the tri-state area. Successful Artists visit the residents, which gives them a chance to be seen.  After all, in the arts, as in almost everything else, it’s all about who you know.  
The deadline to apply is January 31, 2021. Gutenberg Arts just tweeted on January 1st. “We’ve extended our Open Call for the Fall ’21 & Winter ’22 Space and Time Artist Residency!  Apply at http://guttenbergarts.submittable.com/submit by January 31st!  As always it’s #freetoapply

Link to Guttenberg arts page:–>http://www.guttenbergarts.org

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thumbnail Dec 23

Open Call for Miami Artists: Locust Projects Gifts in Wavemaker Grants

Attention Miami artists, curators, and collectives! Locust Projects, Miami’s longest running alternative art space, has announced an open call for grants. Information sessions will begin in January 2021 and applications will be due in the Spring. They have awarded $399,000 in arts grants since 2015. During this period, they have gifted up to $6,000 to seventy-seven of Miami’s most visionary artists, curators, and collectives.  

Locust Projects is a local leader in exhibiting innovative works. They take risks outside of traditional art markets and institutions and provide artists with an outlet for experimentation.  Their mission as a non-profit organization includes engaging the local community. They publish, present and produce completed works for view at their location in Miami’s Design District.

The Andy Warhol Foundation for the Visual Arts makes the Wavemaker Grants possible.  They are the first regional regranting program in the southeast. They are part of a national network together with sixteen other Warhol-initiating regranting programs. Awards categories include three groups: Research & Development + Implementation, New Work / Projects, and Long-Haul Projects. 

In 2020, Wavemaker at Locusts awarded $6,000 to four artists in each of the categories. One of the grantees in the area of Long-Haul Projects was Cuban-american artist Sebastian Duncan-Portuondo. In his work Project Exile, he explored the experiences of exiles in the community as marginalized people.    

This year they are allowing grantees affected by COVID-19 to use fifty percent of the funds for supplementary income. Locust Projects encourages artists to adapt their creative vision to concepts explored in light of the pandemic. 

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thumbnail Dec 3

Cuban-American artist ERNESTO BRIEL exhibit’s IRIDESCENT GEOMETRIES at Juan Carlos Maldonado Art Collection

DATE: Thursday, November 19, 2020 –
Saturday, March 20, 2021

TIME: Tuesdays to Fridays 10:30 am – 5 pm, Saturdays: 11am – 4pm

PLACE: Juan Carlos Maldonado Art Collection

The Juan Carlos Maldonado Art Collection presents our new exhibition of cuban artist Ernesto Briel: Iridescent Geometries. 

Since its inception in 2005, the driving force behind the Juan Carlos Maldonado Art Collection, JCMAC, has been to recognize and generate awareness on the contribution that Geometric Abstraction has made to art history in the twentieth century. With the title Iridescent Geometries, JCMAC gives continuity to the exhibition project that began six years ago.

Since then, its objective has been to promote the study of modern and contemporary art at an international level, with an emphasis on abstract-geometric practices. On this occasion, and after having exhibited part of the collection, he focuses his attention on the work of Ernesto Briel, a Cuban optical artist whose production is practically unknown, even among specialists in Latin American art.

Ernesto Briel at Sotheby’s, by Gustavo Valdés

Ernesto Briel at CANY Blog

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thumbnail Nov 25

FOCUS: exhibit by Cuban-American Photographer Mario Algaze

November 3 – December 31, 2020

Mario Algaze is a contemporary Cuban-American photographer whose work celebrates the culture of Latin America.

In 1960, at the age of thirteen, Algaze was exiled from Cuba with his family. He relocated to America and settled in Miami, Florida. Miami offered a rich cultural mecca that encouraged Algaze to travel throughout Central and South America. These trips allowed him a glimpse of belonging within a familiar culture.

In finding his identity after exile, he began photographing Latin America in the 1970’s while reconnecting with the feeling of home. His photographs embody the everyday of Latin life. Between his travels in the late 70’s, Algaze studied visual art at Miami Dade College. Algaze’s masterful command of light illuminates his street scenes that detail the struggles and victories of Latin culture.

Mario Algaze is the recipient of various acclaimed awards, including the Florida Artist Fellowship from the Florida Arts Council (1985), the Cintas Foundation Fellowship in Photography (1991), the Visual Arts Fellowship and the SAF Artist Fellowship sponsored by the National Endowment for the Arts. In 1992, he received the National Endowment for the Arts Fellowship in Photography.

Mario Algaze at Wikipedia

Mario Algaze at CANY Blog

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thumbnail Nov 22

105-Year-Old Artist Carmen Herrera Has a New Mural in East Harlem

Carmen Herrera, the 105-year-old Cuban American abstract painter, has a new mural in East Harlem. Uno, Dos, Tres just went up on the walls of the Manhattan East Academy, a school on E. 100th Street. Painted by students from across the city, through a partnership with the arts and education nonprofit Publicolor, it’s a mesmerizing black-and-white optical pattern that’s two stories tall, and visible from the FDR.

When Herrera was approached to do the installation, what excited her the most wasn’t the mural itself; it was that students would be painting it. The students were supposed to paint the piece ahead of her birthday in May, but the coronavirus pandemic delayed the process. It took the students ten weeks to complete the mural, which is composed of 96 separate boards that were assembled on site.

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thumbnail Jun 18

Zilia Sánchez at Galerie Lelong, New York – Interview

From ocula.com

April – June, 2016

In the 1950s, on a Havana rooftop and reeling from the recent passing of her father, Cuban artist Zilia Sánchez (b. 1926) had an epiphany. A gust of wind blew a hanging laundry sheet (the very one her father had been lying on when he died) against a pipe and a wall, and in its resulting form she discovered an entirely new approach to her work. She abandoned painting on flat surfaces and began pulling canvas tautly over oddly-shaped wooden armatures, creating curved peaks that opened painting up from its conventionally rectangular state. Introducing three-dimensional forms to her work, Sánchez’s shift challenged the preferred frontal view of artworks by interrupting the face-on gaze and coercing it around corners.

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thumbnail May 29

Teresita Fernández Lights a Fire in the West

By Alanna Martinez

From Observer.com

Teresita Fernández knows how to light up a room, and she’s done just that inside the front gallery of Anthony Meier Fine Arts in San Francisco. The century-old house inside which Mr. Meier’s gallery is located has been set ablaze by Ms. Fernández’s fiery handiwork, which features a smoky landscape rendered in charcoal and a glittering inferno made from thousands of glazed ceramic tiles.

Ms. Fernández is widely known for her large-scale experiential installations, the most recent being a 500-foot mirrored canopy for New York’s Madison Square Park which was experienced by nearly 50,000 people each day during its nine-month run.

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thumbnail Mar 27

Jorge Rodríguez Gerada: How One Artist Has Changed the Face of Barcelona

From Crane.tv

Urban painter, sculptor and creator of monumental land art, Jorge Rodríguez-Gerada is an artist working against the divisive forces that are pulling contemporary society apart.  His most recent mural in Barcelona, called “Panorama”, is a composite portrait that combines features from 10 women in the city’s Sant Martí neighbourhood. The result, an “everywoman”, represents and celebrates the contributions of women to community life.

 

The huge mural – painted on a wall 33 feet across and more than 90 feet high – was part of the Open Walls Conference 2015 and is one of his Identity Series, which he started in 2002 when he moved to Barcelona from New York City. The artist started painting murals of anonymous locals not only to question the controls imposed in public space, but to comment on consumer messages by using the the same strategic positioning and size of a billboard to create a counter commentary.

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