The curator and critic reflects on a seminal figure in contemporary Cuban art
Earlier this month, the exhibition Antonia Eiríz: A Painter and Her Audience opened at the MDC Museum of Art + Design in Miami. Writer and curator Janet Batet shares excerpts from her essay “Antonia Eiríz: En la pupila de la sibila,” which appears in the exhibition catalogue.
Antonia Eiríz was born in spring, on April 1st, 1929, in the Juanelo neighborhood of Havana. According to the Chinese zodiac she is a snake, and those born under this sign always prefer intellectual challenges. Matters of the body do not interest them, but rather analysis and intuition.
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