Category : Events

thumbnail Mar 16

Learning Through Performance: An Evening with Ernesto Pujol, at SVA, New York

Thursday, March 17 | 6:30PM

School of Visual Arts
335 West 16th St Fl 1,  New York
 

MFA Art Practice presents site-specific performance artist, social choreographer and faculty member Ernesto Pujol discussing his practice. Pujol is known for his silent, durational, walking performances as portraits of people and places within familiar landscapes and architecture that have nevertheless become invisible. His performances have often served as mausoleums or monuments to forgotten or remembered but unresolved social issues, which have been mourned or reflected upon during the experience. He is the author of Sited Body, Public Visions: Silence, Stillness and Walking as Performance Practice and numerous anthologized essays.

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thumbnail Mar 16

Jorge Pardo Speaks at ICA, Miami

Friday, March 18, 2016 7pm

Palm Court
140 NE 39th St
Miami Design District
Miami, FL 33137

ICA Speaks: Jorge Pardo will take place at Palm Court in partnership with the Miami Design District.

The Institute of Contemporary Art presents ICA Speaks, a series of lectures highlighting artists from the museum’s permanent collection. ICA Miami welcomes Jorge Pardo, a sculptor whose body of work reflects the complex relationships between architecture, sculpture, design, painting, and drawing.

Jorge Pardo (b. 1963, Havana, Cuba) frequently blurs the lines that separate disciplines, presenting a fundamental challenge to the relationship between artwork and viewer. Characterized by this dynamic interaction, Pardo’s oeuvre invites audience expectations to define the way which each work is perceived and interpreted

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thumbnail Nov 11

CARMEN HERRERA ON HER CENTENNIAL, a celebration of Carmen Herrera’s life and work, at The New School, New York

An event co-sponsored by Cuba Art NY (CANY)

Thursday, November 19, 2015

7 pm

THE NEW SCHOOL
68 5th Ave. (& 13th Street), NYC
Room UL-105

FREE ADMISSION
Space is limited.
RSVP at: cccofny@aol.com

A celebration of Carmen Herrera‘s life and work on her 100th birthday year. After a lifetime of anonymity, Carmen Herrera is today one of the world’s most collectible living artists. Our celebration will consist of three documentaries, each produced ten years apart: the shorts Artist in Exile (1994) and Five Degrees of Freedom (2005), and a clip from The 100 Years Show (2015). The films include an in-depth interview with Ms. Herrera, covering her life in Cuba, her marriage, her time in Paris, her development as an artist, her relative obscurity as a painter until her later years, and her life in New York City today, already as an internationally recognized artist.

Welcoming remarks by Aurora de Armendi, director of our Visual Arts Program. The screening will be followed by a commentary by the distinguished curator and art historian Alejandro Anreus, who will also entertain questions from the audience on Ms. Herrera’s career, her upcoming exhibits, and her continued contribution to Cuba’s cultural patrimony.

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thumbnail Jul 30

Fata Morgana: A Special Tour with Teresita Fernández, at Madison Square Park, NY

Sunday, August 2, 2015 @ 12 Noon

MADISON SQUARE PARK Madison Ave. & 23rd Street, NYC

Spend an afternoon at Madison Square Park exploring the ever-changing wonders of Fata Morgana with its creator, Cuban-American artist Teresita Fernández. Fata Morgana is Madison Square Park Conservancy’s largest and most ambitious outdoor sculpture to date. The outdoor sculpture consists of 500 running feet of golden, mirror-polished discs that create canopies above the pathways around the Park’s central Oval Lawn.

This event is free and open to the public. Visitors are advised to arrive in the park around 11:30 am to walk around and experience the work on their own. THE GROUP SHOULD ASSEMBLE AT THE PARK’S NORTH FOUNTAIN MONUMENT BY 12 NOON to meet Ms. Fernández, who will give a talk and tour of the installation, followed by a Q&A with the public. For more information, write to cccofny@aol.com.

This exclusive event with artist Teresita FernándezCuba Art NY is co-sponsored by the CCCNY (Centro Cultural Cubano de Nueva York) and Cuba Art NY.

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thumbnail Mar 31

Teresita Fernandez at McNally Jackson Books, SoHo, NY

Friday, April, 3, 2015 7:00 pm

McNally Jackson Books
52 Prince StNew York,
New York10012-3309

Join artist Teresita Fernandez and essayist Eliot Weinberger for a discussion of the artist’s MASS MoCA exhibition and accompanying publication As Above So Below. On view until April 6th, Fernandez’s exhibition, her largest solo to date, comprises immersive installations across widely varying scales, from the panoramic to the intimate. Wienberger, who wrote his new essay collection A Calendar of Stones for the exhibition catalog, will introduce and interview Teresita.

Teresita Fernandez‘s work is characterized by an interest in perception and the psychology of looking. She is a 2005 MacArthur Foundation Fellow. She has exhibited extensively both nationally and internationally at The Museum of Modern Art, New York; the San Francisco Museum of Modern Art; and the Museum of Fine Arts, Boston. In late April this year, her monumental public art project, Fata Morgana, will open in Madison Square Park.  

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thumbnail Aug 15

Acquiro 2 Art Walk at Cuban American Phototheque Foundation, Miami

Saturday, August 16, 2014

7pm

Cuban American Phototheque Foundation
The Bird Road Art District,
4260 SW 74 Ave,
Miami, Florida 33155

 

Curated by Carlos Mayol and Ivan Cañas

 

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thumbnail Jul 31

Panel Discussion on Cuban Art at NSU Museum of Art Fort Lauderdale

August 23, 2014 2:00PM – 4:00PM

Nova Southeastern University’s Museum of Art | Fort Lauderdale
One East Las Olas Blvd.
Fort Lauderdale, FL 33301

Panel Discussion on Cuban Art with Ramon Cernuda and Margarita Cano, moderated by Bonnie Clearwater, Director and Chief Curator, NSU Museum of Art Fort Lauderdale

Ramón Cernuda is a publisher, editor, writer, collector and internationally recognized expert on Cuban Art. After 30 years pursuing a lifelong love of Cuban art as a private art collector and researcher, he established Cernuda Arte gallery in 2000. He has been the publisher of La Gran Enciclopedia Martiana and a founding member of the Enciclopedia de Cuba Publishing Group. He was a member of the board of directors of the Cuban Museum of Arts and Culture and served as Vice President from 1987-1990.

Born in Havana, Cuba, artist and arts organizer Margarita Cano arrived in the United States in 1962. She worked at the Miami-Dade Public Library as a Community Relations and Art Services Coordinator. In 1983, she organized the landmark exhibition, The Miami Generation: Nine Cuban American Artists (curated by Giulio Blanc) for Miami’s Cuban Museum of Arts and Culture. In 1993, Cano began painting full-time and creating one-of-a-kind artist books. Her work is reminiscent of the illuminated manuscripts of the High Middle Ages, and her idealized landscapes of her beloved island serve as settings for the interaction of the sacred and the mundane.

 

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thumbnail Apr 25

Rafael López-Ramos in group show Alpha & Omega at Arevalo Gallery, Miami

April 25- 26
10:00 a.m. – 6 p.m.

April 27 – 28
by appointment

Arevalo Gallery
151 NE 40th St. Ste. 200.
Miami FL 33137
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thumbnail Mar 19

“HABEAS CORPUS: NUDE, IDEOLOGY AND IDENTITY IN CUBAN PHOTOGRAPHY (1982-1993)”, by WILLY CASTELLANOS at Aluna Art Foundation, Miami

Saturday, March 22nd/2014 at 7:00pm

ALUNA ART FOUNDATION
172 B WEST FLAGLER STREET
MIAMI, FL 33130

Aluna Art Foundation & Focus Locus cordially invites you to “HABEAS CORPUS: NUDE, IDEOLOGY AND IDENTITY IN CUBAN PHOTOGRAPHY (1982-1993)”, the last of our talks with art historian, curator and photographer WILLY CASTELLANOS; as part of the series “ART, DOCUMENT AND REALITY: REFRACTIONS ON PHOTOGRAPHY IN CUBA” (History, Theory and Criticism).

WILLY CASTELLANOS An art historian, curator and photographer, holder of a degree in History of Arts from the University of Havana (1993) were he graduated with a thesis on photography: “Nude as Objet and Strategy in Cuban Photography (1982-1993)”; Castellanos left Cuba in 1994 to Argentina.
In 2001, he moved to Miami, where he actually lives and works. His writings on art have been published in the magazines Fotomundo (Buenos Aires), Revolución y Cultura (Havana), P’alante Magazine/The Sun Sentinel (Broward, FL), Arte al Día International, LetraUrbana.com and Nagari Magzine, as well as in several exhibition catalogs in the United States.
In Miami, Castellanos was the Curator of the photography exhibition “Prayers for Saints and Orishas” at the Spanish Cultural Center of Miami (CCE), and also of “New Gods by José Franco,” and “20 Brands by Felix Beltrán” (co-curated with Rafael López-Ramos) for the Miami Dade College Art Gallery System (AGC).
Castellanos is the co-author of the critical essay for the book of Cuban photographer Raúl Canibano published by La Fabrica (Madrid, 2012); and is currently working on the publication of two more books on Cuban contemporary photography.
His photographic essay “Exodus: a missing page in history”, which documents the start of the massive wave of “rafters” that left the coast of Havana in 1994, was selected and invited in 2012 to open the Photoamerica edition of Arteamericas, the Latin-American Contemporary Art Fair of Miami. His shots have been featured in one-man and group shows in Cuba, Argentina, Brazil, and the United States.

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thumbnail Mar 5

Juan Antonio Molina Cuesta: A Conversation on Cuban Photography of the 90’s at ALUNA ART FOUNDATION, Miami

Thursday March 6th, 2014 at 7:00pm

ALUNA ART FOUNDATION
172-b west Flagler Street,
Miami FL 33130

Aluna Art Foundation cordially invites you to our ongoing talks | March 2014
ART, DOCUMENT AND REALITY: REFRACTIONS ON PHOTOGRAPHY IN CUBA (History, Theory and Criticism)
“SINCE THE WHORES HAD GONE: URBAN SPACE, EROTICISM, DOCUMENT, AND POLITICS”.
A conversation on Cuban Photography of the 90’s by art critic and curator Juan Antonio Molina (in Spanish)

“SINCE THE WHORES HAD GONE” is the title of the book in process that brings together newspaper articles, essays, and chronicles, written during the last 20 years by Juan Antonio Molina on contemporary Cuban Photography. The book will also include subjects as the representations of urban space, the relationship between photography and poetry, body, fiction, staging, and the different alternatives of what the author called “New Documentary in Cuba”. Parallel to these reflections, the essay opens a space on identity and rootlessness, aesthetic utopia and political disenchantment, as well as memory and the recent national history.

JUAN ANTONIO MOLINA (Havana,1965)

Art critic, professor and independentcurator, Juan Antonio Molina was a researcher and curator for the Fototeca Nacional de Cuba and for the Wifredo Lam Center – which organizes the Havana Biennial. In Mexico he was a contributor to the Fototeca Nacional of the Instituto Nacional de Antropología e Historia, and for the Centro de la Imagen (Images Center?) of the Centro Nacional de las Artes. In 2009, he wasthe coordinator of the XIII Bienal de Fotografía of Mexico, organized by the Centro de la Imagen and the Centro Nacional de las Artes. Between June and December 2009, Molina was the coordinator of the Seminar of Contemporary of the Centro de la Imagen.

In recent years, Molina has taught and lectured at The Universidad Autónoma Metropolitana, The Universidad Autónoma de Nuevo León, The Universidad Veracruzana, and The Instituto Potosino de Bellas Artes among others. His writings have been published in Aperture, Arte al Dia International, Replicant, C International Photo Magazine, Arte Cubano, Encuentros de la Cultura Cubana, Fisura, Arte y Naturaleza, Origina, Tierra Adentro, Atlántica Internacional de las Artes, and Estudios Interdisciplinarios de América Latina y el Caribe, among other journals.

He currently leads the project “Página en blando: curatorial works, criticism and art education” in Mexico City.

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