Category : Exhibits – New York City

thumbnail Feb 14

GEANDY PAVON’S ‘THE CUBAN AMERICANS’, at the Instituto Cervantes, NYC

February 4 – February 20, 2016

Opening and Reception: Thursday, February 4, 2016 at 7 pm

INSTITUTO CERVANTES GALLERY
211 E 49th St, NYC
 

The Cuban-Americans, a solo photo exhibit by Geandy Pavón, one of the most critically acclaimed Cuban-American artists of his generation, opens a month-long program of Cuban culture events at Manhattan’s Cervantes Institute. For this series, Pavón follows in the tradition of Robert Frank, whose seminal book, The Americans, unveiled a more nuanced and certainly less congratulatory view of American society.

The opening reception will feature a special commentary by the distinguished curator and art historian Alejandro Anreus. 

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thumbnail Jan 29

Ana Mendieta: Experimental and Interactive Films, at Galerie Lelong, NY

February 5 – March 26, 2016

Opening reception: Friday, February 5, 6-8pm

Galerie Lelong
528 West 26th Street
New York, NY 10001
 

Ana Mendieta: Experimental and Interactive Films is the first full-scale gallery exhibition dedicated to Mendieta’s filmworks in New York. Revealing aspects of Mendieta’s practice that are not as widely known as her ritualistic investigations of body and landscape, the exhibition demonstrates Mendieta’s technical innovations and her singular approach to the medium. The fifteen filmworks comprising the exhibition—nine of which have never been seen before—are newly transferred from their original media to digital formats. These transfers reveal detail and a vibrancy of color and contrast, while preserving these critical works for future generations.

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thumbnail Dec 20

Esteban Blanco, Jose Ney, Antonio Nuñez and Geandy Pavón: Cardinal Points, at Galleria Ca’ d’Oro, New York

November 25th, 2015 – January 16th, 2016

Galleria Ca’ d’Oro New York
529 West 20th street, 9th floor,
New York, NY 10011 

Group show curated by Vicky Romay and Frances Sinkowitsch

“Cardinal Points” features Cuban artists Esteban Blanco, Jose Ney, Antonio Nuñez and Geandy Pavón. What has stayed in the past and drags the agonizing transit of time, the search of what has been forgotten and the eagerness to confront new experiences, risking the unpredictable has been the motive of the expression and sensibility of the human being under the kaleidoscope of art.

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thumbnail Aug 31

Maria Martinez-Cañas: What Remains, at Julie Saul Gallery, NY

September 10 – October 24, 2015

Opening reception: Thursday, September 10, 6-8 pm

Julie Saul Gallery
535 West 22nd Street
New York, NY – 10011   
 

Julie Saul Gallery is pleased to announce our sixth solo exhibition of Cuban-American Maria Martinez-Cañas, that will bring together two distinct and temporally disparate bodies of work: vintage photographic prints from the artist’s formative years in the early 1980s and new works on paper. Throughout her career, Martinez-Cañas has experimented with alternative processes and is known for exploring the subjects of identity, body, and nature. Presenting techniques that range from appropriation to photo collage, What Remains, aims to explore the dichotomy of presence and absence of the subject.

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thumbnail Jun 20

Anthony Goicolea group exhibition at the Magnan Metz Gallery, New York

June 18 – August 7, 2015

Magnan Metz Gallery 
521 West 26th Street,
New York, NY 10001

A Weekend in the Country

Curated by Paul Laster

Magnan Metz Gallery is proud to announce the opening of A Weekend in the Country, a group exhibition of contemporary artists Jude Broughan​, Ernesto Caivano, Anthony Goicolea​, Ellen Harvey​, Jason Middlebrook​, Donna Moylan​ and Spencer Tunick​, curated by Paul Laster.

Together, these artists explore a dialogue between landscape and abstraction.

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thumbnail May 1

Carlos Martiel’s “Ascensión”, at MAAS/Mandragoras Art Space, New York

May 16, 2015

MAAS | Mandragoras Art Space
3601 36 Ave. 3rd. Fl
Long Island City, NY 11106

MAAS | Mandragoras Art Space is proud to open its 2015 Programming presenting Cuban artist Carlos Martiel, on his first solo performance in New York City.

Where is the line that divides a hero from a murderer?

“Ascención” questions the perception of heroism as dependent on the use of power in matters of political conflict and world peace. Martiel bases his critique on the military system, where heroism is grounded on rank and rivalry, and that vindicates authoritarianism and the sacrifice of life for the common good.

In his piece, the artist creates a compelling situation where the audience is able to experience the consequences of patriotism and hierarchy. The problem of violence and power is a constant on Martiel’s discourse. On this occasion, it questions those at the forefront of the arms race, promoting themselves as peacemakers, but ultimately enforcing a world of dominance.

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thumbnail Mar 22

Felix Gonzalez-Torres at the Great Hall Exhibitions series- Institute of Fine Arts, New York University.

March 30 – May 1, 2015

Opening Reception: March 30, 2015, from 6:00 to 7:30 PM.

Institute of Fine Arts
The James B. Duke House
1 East 78th Street
New York, New York 10075

An installation of two artworks by Felix Gonzalez-Torres will be featured this spring as part of the Great Hall Exhibitions series at the Institute of Fine Arts, New York University. Organized by Katharine J. Wright and Susanna V. Temkin, this installation pairs two works encompassing different media and conceptual practices that speak to major themes in the artist’s oeuvre. The manifestable candy piece “Untitled (Placebo-Landscape-for Roni)”, 1993 and the static photographic work “Untitled” (Natural History), 1990 offer a point of access into overarching strategies that the artist employed throughout the course of his career. The two works will be on view daily, 1:00 to 4:00 PM, from March 30 – May 1, 2015.


This installation was made possible by the generous support of Eileen and Michael Cohen
.

Great Hall Exhibitions

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thumbnail Mar 1

Pavel Acosta in group show “In Praise of Folly”, at the New York Art Residency & Studios Foundation, New York

February 27 – March 25, 2015

NARS Foundation
201 46th Street, 4th Floor
Brooklyn, NY 11220

The New York Art Residency & Studios (NARS) Foundation is pleased to present a group exhibition In Praise of Folly, curated by Jin Y. Hwang Coleman and including work by Pavel Acosta, Hong Seon Jang, Marc Oosting, Lior Shvil, and Ghost of a Dream. In Praise of Folly, inspired by the famous book of the same title by Desiderious Erasmus, focuses on the works by artists who challenge our belief system and dogma in a satirical, humorous and witty way.

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thumbnail Jan 4

Luis Mallo: Interruptions, at Praxis International – New York

Opening reception: Thursday, Jan. 8, 2015   6-8 pm

Jan. 8 – Feb. 21, 2015

Praxis New York
541 West 25th Street,
New York, NY
 

Luis Mallo presents in this exhibition a group of visually arresting images meant to stimulate us to question notions of familiarity. With this series Mallo wants us to understand that the manner in which we perceive our surroundings is contingent by nature. Most of what we see and experience is illusory and therefore, deceptive. His scenes reveal this illusory nature by offering partially concealed and most often perplexing representations of the surrounding landscape and its various props.

For Mallo, Interruptions is not an outcome, but a vital process, a way of looking that may offer a fresh perspective. As previously done with other series, he invites us to look deeper and unearth that which lies latently waiting to be discovered under the veil of familiarity.

 

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thumbnail Dec 7

Abelardo Morell: Some Recent Pictures at Edwynn Houk Gallery, New York

Through Dec. 20 

Edwynn Houk Gallery
745 Fifth Ave.
New York, NY 10151

Edwynn Houk Gallery is pleased to present a solo exhibition of new work by Abelardo Morell (American, b. Havana, 1948). Following his inaugural exhibition in 2013 with Galerie Edwynn Houk in Zurich, this show marks the artist’s first exhibition at Edwynn Houk Gallery in New York. The sixteen large-scale photographs on view will highlight the scope of Morell’s most recent subjects and his continued experiments with perception.

Reveling in the expectations of the photographic process, Morell’s work is charged with discoveries concerning optics, aperture, exposure, and most notably, camera obscura. Since 1991, Morell has been using the camera obscura to effectively turn entire rooms into cameras: the outside world is transposed onto the interior, creating unexpected and often surreal imagery.

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