Nov 29
November 29th – December 29th, 2012
Juan Ruiz Galeria
301 NW 28th Street
Miami, Florida 33127
A solo show that takes the continuity of “hypertextual” mediums and plays in the work by Ruben Torres Llorca to new frontiers.
This time of disenchantment is approached through the clever simulation of an aesthetics frozen at the highest point of the promises of modernism only as a ruse. The viewer’s gaze is introduced to a conceptual art that reflects the condition of a fissured world in which there is no refuge under any system.
Opening Reception November 29th – 6:00 – 9:00 PM
Read more >>
Nov 14
November 29 – December 29, 2012
Juan Ruiz Gallery
301 NW 28th Street
Maimi, FL 33127
Ruben Torres Llorca’s exhibit “One of Us Can Be Wrong and Other Essays” will be at the Juan Ruiz Gallery. Opening Reception on Thursday November 29th from 6:00 – 9:00 PM
Read more >>
Feb 6
How long can you keep the wolf from the door? A powerful title for a powerful piece of art. Conceptual artist Rubén Torres Llorca is considered a living master. He works in many mediums and creates his installation art sets entirely by hand. His incredibly detailed paintings weave romantic film noir novels in constructed spaces that resound with quietness, impending drama and leave the audience riveted. He is akeen to the master of suspense himself, Alfred Hitchcock.
Read more >>
Jun 22
published in Books
tags : 80's generation, ana mendieta, Angel Delgado, art, Arturo Cuenca, Carlos Cardenas, Carlos Estevez, Consuelo Castañeda, Contemporary Cuban Art, Cuba, cuban american art, Cuban American artist, Cuban Art, cuban artist, Cuban Avante Garde, Cuban Culture, Elsa Mora, glexis novoa, Gustavo Acosta, Humberto Castro, josé bedia, Luis Cruz Azaceta, maria magdalena campos pons, Marta Maria Perez Bravo, Ruben Torres Llorca, Tania Bruguera, Tomas Sanchez
The Farber collection contains art from both inside and outside the island. The book is an review of contemporary cuban art over the last 20 years.
Read more >>
Mar 4
published in Books
tags : art, Arturo Cuenca, Carlos Estevez, Carlos Rodriguez Cardenas, cuban american art, Cuban Art, Cuban Avante Garde, Cuban Culture, Gustavo Acosta, Instituto Superior De Arte, ISA, Luis Cruz Azaceta, New York City, Ruben Torres Llorca, Rubin Museum Of Art, San Alejandro Art Academy
An encyclopaedic view of Cuban Art.
Published by California International Arts Foundation
By: Jose Veigas,
Cristina Vives,
Adolfo V. Nodal,
Valia Garzón
Dannys Montes de Oca
To order: [ Amazon ]
Read more >>
Mar 2
published in Exhibits
tags : art, Cuba, cuban american art, Cuban Art, Cuban Avante Garde, Cuban Culture, Instituto Superior De Arte, ISA, New York City, Praxis international, Ruben Torres Llorca, Rubin Museum Of Art, San Alejandro Art Academy
Solo Show 2009
Praxis international is proud to present “Los peores hombres cuentan las mejores historias”…The worst men tell the best stories.
Read more >>
Feb 24
published in Articles
tags : ana albertina delgado, art, Cristina Nosti, cuban american art, Cuban Art, Cuban Avante Garde, Cuban Culture, Dr. Arturo Mosquera, Exhibition, Farside Gallery, freedom Tower, glexis novoa, Maria Brito, maria martinez-cañas, Mosquera Collection, Pablo Cano, Pau LLosa, Ricardo Pau-Llosa, Ruben Torres Llorca, Vivian Nosti
By Brett Sokol
January 2011
“We’re sitting in a renaissance!” Ricardo Pau-Llosa happily thundered to the crowd seated before him, gesturing to the artwork hanging inside downtown Miami’s Freedom Tower. “What more proof do you need?” It was hard to argue with Pau-Llosa’s evidence.
Read more >>
Jan 13
published in Articles
tags : art, Arte al Dia, Cuba, Cuban Art, Cuban Avante Garde, Cuban Culture, Instituto Superior De Arte, ISA, Julia Herzberg, Museo del Barrio, New York, New York City, Praxis international, Ruben Torres Llorca, Rubin Museum Of Art, San Alejandro Art Academy
Arte Al Dia International Online
Wednesday March 31, 2010
Praxis International Art by Julia P. Herzberg
So Quiet in Here was a memorable installation by Rubén Torres Llorca at El Museo del Barrio in New York in 1998. It was a parodic recreation of a historical account dating from Belgium’s colonial era that involved the Geographic Society of Brussels and an African family that was living inside the zoo in Brussels for a period of time before they quietly disappeared.
Read more >>