Tag : Cuban Art

thumbnail Oct 28

Carmen Herrera – Indoor and outdoor Exhibit

Carmen Herrera- exhibit indoor/ outdoor Museum of Fine Arts Houston and Buffalo Bayou Park.

“Structuring Surfaces” is at the Museum of Fine Arts Houston through January 18, 2021. Exhibit includes a 30 piece collection of her paintings, drawings, prints, wall sculptures, and objects. 

“Estructuras Monumentales” is at Buffalo Bayou Park through April 23, 2021.  The exhibition is the Houston debut of four recently completed aluminum sculptures that Herrera began in the 1960s.  

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thumbnail Oct 15

Shifting Streams – Twelve Artists by the Hudson River

Hostos Center for the Arts & Culture, in conjunction with the Bronx Council on the Arts, will present Shifting Streams – Twelve Artists by the Hudson River in a 3D virtual space that replicates The Longwood Art Gallery @ Hostos. The exhibit brings together a group of twelve artists of Cuban origins who live and work on the west bank of the Hudson River, New Jersey where they have settled at different times of their lives and careers. The surrounding waters of their lives have shifted from the warm waves of the Caribbean Ocean to the peaceful streams of the Hudson River. Various subjects can be discerned within the variety of mediums and creative processes of these artists such as: the exploration of domestic spaces, communities, dreams, the self; anthropological revisions of material culture, history, economy, art; the aesthetics found in the principles of geometry and nature, the embodiment of cultural processes as well as the recreation of imaginative realms.

SCHEDULE AND ONLINE PUBLIC PROGRAMMING

  • Opening – Wednesday, October 7, 2020
  • Panel Discussion – Artist Public Talk Tuesday, November 10, 2020 at 5 PM
  • Closing – Wednesday, December 9, 2020

GUEST CURATOR
Meyken Barreto

PARTICIPATING ARTISTS
Jairo Alfonso
Douglas Arguelles
Kenia Arguiñao
Javier Caso
Sandra Cordero
Napoles Marty
Geandy Pavon
William Perez
Alain Pino
Pedro Valerino
Danay Vigoa
Vanessa Felnández

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thumbnail Aug 4

NEW BEGINNINGS – CANY Online Gallery

New York, NY. Cuba Art New York (CANY), whose mission is to promote the work of Cuban American artists, is pleased to announce CANY Online Gallery and its coming inaugural online exhibit New Beginnings, Summer 2020.

After a hiatus, CANY is back with an invigorated vision and strategy. Our new endeavor, the CANY Online Gallery, comes at a time when the art community has been hit hard by the global pandemic.

New Beginnings, Summer 2020, will be on view from August 1st to August 31st at CanyOnlineGallery.org. It will showcase the work of eight talented Cuban American artists: Jairo Alfonso, Julio Antonio, Ángel Delgado, Alain Pino, Carlos Rodríguez Cárdenas, Baruj Salinas, Rubén Torres Llorca, and Pedro Vizcaíno, from different generations and with different approaches to artistic expression. They are connected not only by place of origin, culture, displacement and life experiences but by their exceptional talent. They are all powerful ambassadors of Cuban contemporary art.

New Beginnings, is the first of four annual exhibitions that CANY Online Gallery will organize every year, coinciding with the seasons. The gallery will also feature art for sale from past and future exhibits as well as donated works.

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thumbnail Nov 30

Group show PRIMERA REVANCHA, at Pinta Miami

Dec 1 – Dec 4, 2016

Curated by Omar Pascual Castillo

Pinta Miami  Booth B29
318 NW 23rd St,
Miami, FL 33127

Featured artists:

Alejandro Aguilera, José Bedia, Ariel Cabrera, Carlos Cárdenas, Luis Cruz Azaceta, Ofill Echevarría, Alexis Esquivel, Tomás Esson, Flavio Garciandía, Maykel Linares, Enrique Martínez Celaya, Marta María Pérez Bravo, Geandy Pavón, Segundo Planes, Juan Miguel Pozo, Ernesto Pujol

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thumbnail Nov 28

AUTOPIA: Road Trips from the Cold War to the Present, at Bakehouse Art Complex, Miami

Nov 28, 2016 – Jan 13, 2017

Opening Reception: Monday, Nov. 28, 2016    7-10 pm

Curated by Elvis Fuentes and Gabriela M. Fernandez

Audrey Love Gallery
Bakehouse Art Complex
561 NW 32nd Street
Miami Florida 33127

Autopia explores the ubiquitous presence of the automobile in contemporary culture. “Autopia” combines the words auto and Utopia to highlight the importance that the car industry played as one of the paramount symbols of progress in the 20th Century. What is its place in contemporary culture? Does car culture remain central to our ideal of progress? In this exhibition, the legacy of automobiles is being reviewed and reassessed through the work of artists from three continents.

The exhibition is divided in four thematic groups, dealing with the central role of cars in the American High/Way of Life, the USA-USSR fight for consumers’ hearts and minds during the Cold War, the impact of automobiles in the natural realm, and the ways in which it has affected human lives, rewriting maps through commerce and migration, and changing urban centers like Miami.

Participating artists include:
Jairo Alfonso, Adrián Balseca, Yael Bartana, César Beltrán, Timothy Buwalda, Carlos Luis DeMedeiros, Rigoberto Díaz Martínez, Daniel Evans, Luis Gispert, Pablo Helguera, Alex Heria, Marisa Jahn, Ernesto Kunde, Volodymyr Kuznetsov, Carlos Marcial, Frank E. Martínez, Julio César Morales, Alex Núñez, Rob Pruitt, Rubert Quintana, Ishmael Randall Weeks, Jorge Rodríguez Díez, Betsabée Romero, Lázaro Saavedra, Peter Sarkisian, Daniel Silvo, Pedro Vizcaíno

 

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thumbnail Nov 4

LUIS CRUZ AZACETA: Swimming to Havana, at Lyle O. Reitzel Gallery, New York

November 5 – December 30, 2016

Opening Reception: Saturday, November 5, 2016, 7 p.m.–9 p.m.

Lyle O. Reitzel
139 Eldridge Street
New York, NY 10002, USA

 

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thumbnail Oct 10

Carmen Herrera: Lines of Sight, at the Whitney Museum of American Art, NY

Sept 16, 2016–Jan 2, 2017

Whitney Museum of American Art
99 Gansevoort Street
New York, NY 10014

Carmen Herrera: Lines of Sight is the first museum exhibition of this groundbreaking artist in New York City in nearly two decades. Focusing on the years 1948 to 1978, the period during which Herrera developed her signature style, the show features more than fifty works, including paintings, three-dimensional works, and works on paper. It begins with the formative period following World War II, when Herrera lived in Paris and experimented with different modes of abstraction before establishing the visual language that she would explore with great nuance for the succeeding five decades. Many of these works have never been displayed before in a museum.

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thumbnail Oct 4

Armando Guiller: Patterns and Beauty at William Paterson University, New Jersey

September 6 – October 14, 2016

Artist Talk: Armando Guiller
Thursday, October 6
11:00 a.m. – 12:00 p.m.
Court Gallery

William Paterson University Galleries
300 Pompton Rd
Wayne, New Jersey 07470

New Jersey-based sculptor Armando Guiller investigates the aesthetics found in the principles of geometry and nature in the exhibition Armando Guiller: Patterns and Beauty, which will be on view at the William Paterson University Galleries from September 6 through October 14, 2016.

The exhibition, in the Court Gallery of the University’s Ben Shahn Center for the Visual Arts, features Guiller’s sculptures from the “Free Matter,” “Helical,” and “Spiral” series, which reveal the influence of such artistic movements as Constructivism and Minimalism as well as Newtonian and Euclidian principles. Trained as an artist and mechanical engineer, Guiller is fascinated by “finding the patterns that surround us and in some way guide us.”

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thumbnail Aug 21

Group show “Desde más lejos se ve más bonito”- Bordeaux, France

September 8 – October 8, 2016

Opening: Thursday, Sept. 8 at 7pm.

Rezdechaussée
66 Rue Notre Dame
Bordeaux

Artists:
Wilber Aguilera 
Lisbet Fernández
Luis López del Castillo
Rafael Gómez
Ricardo de Armas
Jaime S. Rodríguez 

Gallery website

 

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thumbnail Aug 15

Anthony Goicolea’s “Shadow Projection,” at Monte Clark Gallery, Vancouver, Canada

August 13, 2016 to September 3, 2016

MONTE  CLARK GALLERY
#105, 525 Great Northern Way
Vancouver, BC
Canada
V5T 1E1

In Anthony Goicolea’s new exhibition “Shadow Projection,” the Cuban-American artist continues his investigation of portraiture, identity, beauty, and the grotesque in a series of mixed media works on double-sided frosted mylar film.

Goicolea’s “Shadow Projection Portraits” are presented as videographic images with black bars above and below, the letterbox format referencing the transference of wide format film to standard width video. Rendered as photo-like film stills in graphite and acrylic, the portraits further conflate the mediums of film, photography, and painting.

Borrowing the most visually compelling and striking characteristics from different portrait subjects, Goicolea repeats traditionally beautiful features in duplicate or triplicate until they morph or dissolve into hauntingly abstracted and deformed renderings of engineered faces. Each portrait is an amalgamation of different facial features cobbled together from semi-androgynous men and women, and the series has strong ties to the artist’s early self-portrait work. Traditional portraiture encourages the viewer to hone in on specific characteristics to identify a specific individual, while these portraits rebuke that instinct—it is almost impossible for the eye to rest on any one specific recognizable feature before it dissolves into the next layer of dislocated eyes, nose or mouth.

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