Tag : San Alejandro Art Academy

thumbnail Mar 11

Demi

Salamatina Gallery Exhibit

February 4 to April 2

DEMI: Some Thoughts on her Work

Alejandro Anreus

Although I had seen DEMI’s work in reproduction for the past decade or so, a recent direct encounter with a substantial amount of her paintings and drawings has brought me to this sheet of paper and the thoughts that follow.

DEMI began painting in Spain in 1983. Her only technical orientation came from her husband, the painter Arturo Rodríguez. Since then she has developed a body of work whose vision is unique, and whose pictorial craft has become more complex and rich with time. Her recent solo show at Salamatina Gallery (Manhasset, NY) consisted of 16 large acrylic on canvas paintings and a small group of drawings in mixed media. This is the first time that the artist exhibits her graphic work; these drawings are simply marvelous. With coloring pencils, various pens, watercolor and ink, DEMI’s lines move across the paper from the subtle and delicate to the harsh and strong. These works are composed in an open and flexible manner, in them drawing becomes an adventure without dogmas, whose lyricism and freedom reminds us of the best of Paul Klee.

The canvases are large and layered, populated by those strange children of DEMI’s, who evoke ancient wise men and women, or outsiders that in reality are enlightened visionaries. Her work is not sentimental or kitschy, on the contrary. Within it there is an almost hallucinating resistant quality which is hard and tough. It dismantles sweet and simplistic visions of childhood. I dare say, without asking the artist, that her painting is profoundly spiritual. I see in the work a preoccupation with the space inhabited by human beings; that which exists between earth and the infinite, and depicts the sacramental relation between figure and environment. In a work such as One More Day on Earth, which is the title of her exhibition, we see a battle waged between the children of light and those of darkness. Innocence is the source of strength of these bald little girls, and it appears visualized as light, which becomes the weapon in the struggle against darkness. Two other extraordinary canvases dominate this consistently strong exhibition: Who is Afraid of the Big Black Bear and Black Angel. The first depicts children playing in a dark room while a large stuffed bear observes them from the rear of the composition. Painted in browns, ochre and pinks, the picture evokes mystery and uncertainty. The children stare at us and at the bear. They, us, we, sense the future terror of their world with the loss of innocence and arrival of experience.

Black Angel quite simply belongs in a museum. The painting is an icon of innocence surrounded by the infinite possibilities of the color white. The child evokes the salvific qualities of the child Jesus, and obviously also the African identity of much of Caribbean culture, into which as a Cuban, the artist was born. But beyond my limited iconographic interpretation, this work is just good painting with a capital P, where DEMI bets on the power of the pictorial surface and wins. What could have been a mannered and saccharine image is transformed into an icon of innocence as strength.

I reject the past comparisons between DEMI’s paintings and those of Frida Kahlo. Kahlo’s pictures are tortured and materialistic, while DEMI’s are spiritual and redemptive. She belongs to the family of visionaries such as England’s Richard Dadd or Mexico’s Jesús Reyes Ferreira. Like their worlds, hers is unique and it escapes comparison. We have to see it.

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thumbnail Mar 10

Roberto Estopiñan – Homage to a great master

Miami, FL

Friday March 18, 2011

from  6:30 to 8 PM

Exhibit from March 18 to April 12, 2011

Miami Dade College West
3800 NW 115 Avenue
Doral, FL
305 237 8907

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thumbnail Mar 10

Roberto Estopiñán

(Camaguey, 1921; lives in Miami)

Estopiñán worked in sculpture, drawing, and printmaking. In the 1940s, he participated in the struggle between different concepts in the field of modern sculpture in Cuba. He emigrated from Cuba in the 1960s, and continued his artistic career in exile. He focused on the female torso as his obsessive subject of investigation, in many varieties of forms.

Biographical excerpt from the LUAG teaching collection
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thumbnail Mar 8

Rafael Soriano – Lowe Art Museum

Miami, FL

Sunday March 27, 2011 1PM

Closing Ceremony

The Lowe Art Museum is located at the University of Miami at 1301 Stanford Drive, Coral Gables.

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thumbnail Mar 5

Mario Petrirena – Collage two ways

Collage two ways: Mario Petrirena and Daniel Biddy

Artists Mario Petrirena and Daniel Biddy are currently showing collages at Sandler Hudson Gallery and Barbara Archer Gallery, respectively.

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thumbnail Mar 4

Enrique Gay Garcia

One of the grand masters of Cuban Art gives a rare interview.

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thumbnail Mar 4

Agustin Fernandez

Beautiful Video by Ricardo Vega, a view of a day in the life of Agustin.

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thumbnail Mar 4

Jose Bedia Video -On his work

In Spanish

Artist Jose Bedia presents his exhibit RE-Corrido in the GE Gallery in Monterey Mexico.

To view video click Read More

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thumbnail Mar 4

Elapso Tempore

In Spanish

By: Hugo Consuegra

Autobiography of artist. Hugo Consuegra was a member of  “Los Once” a group of established Cuban Artists who in the 50’s started the movement of Cuban modernism.

To order: [ Amazon ]

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thumbnail Mar 4

Ofill Echevarria

Represented by Ginocchio Galeria

Arquímedes 175
Polanco. 11570, Mexico, D.F.
tel 52 55 5254 8813

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