Tag : Contemporary Cuban Art

thumbnail Mar 30

Cleveland Museum of Art – Additions to the collection

Cleveland Museum of Art’s Diverse New Acquisitions Range From A 16th-Century Marble ‘Dido’ to Amy Sherald’s ‘Handsome’ Portrait. The acquisitions include a work by Zilia Sánchez -Troyanas (de la serie Módulos Infinitos) [Trojans (of the Infinite Module series)], an impressively scaled modular painting. This work adds to the museum’s contemporary holdings of Latin American art.

Cleveland Museum of Art’s announces new acquisitions to include the work of Zilia Sanchez. The diverse new acquisitions range from a 16th-Century Marble ‘Dido’ to Amy Sherald’s ‘Handsome’ Portrait. The additions include Zilia Sánchez’s Troyanas (de la serie Módulos Infinitos) an impressively scaled modular painting. This work adds to the museum’s contemporary holdings of Latin American art.

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thumbnail Mar 21

Pablo Cano’s “Marvelous Marionette” at NSU Museum of Art

Virtual Resource – At home Art activity

Nova Southeastern University Museum of Art in Ft. Lauderdale is proud to present Pablo Cano’s “Marvelous Marionette.” The Cuban-American artist is best-known for his marionettes. Cano makes puppets out of objects he finds every day. He combines items like empty cardboard boxes of Arborio Rice, Bigelow Green Tea, and Ronzoni pasta to create the puppets. He uses the empty rolls of toilet paper and paper towels for the puppet’s arms and legs. Then, he glues them with Elmer’s glue, and he secures them together with ribbon and masking tape. Finally, he finishes them off with a colorful face.  He paints a comical caricature onto a cardboard box. Like Pinnnchio, the puppets come to life with the artist’s inspiration. The artistic Geppetto implements includes the marionettes into his performance. 

“I realized that puppetry and marionettes had everything I loved about art,” expressed Cano.  “Like an operatic play, I could incorporate music, painting, sculpture, theater, and acting,” he continued.  He created short musical vignettes for his performances.  A lifelong passion, his musical marionettes delight audiences of all ages. 

Cano’s  enchanting musical marionettes will be part of a special performance, part of Free First Thursdays Starry Nights. PNC Arts Alive presents the show. An interactive take home activity for kids is also part of the exhibit. 

Born in Havana, Cuba in 1961, Pablo Cano now lives and works in Miami. Cano’s work is part of the collections of the Cintas Foundation. His work is also included in the of permanent collections of The Lowe Art Museum University of Miami, Florida, the NSU Museum of Art, Fort Lauderdale, Florida, The Perez Art Museum Miami, Florida, The Young At Art Museum, Davie, Florida, and Museum of Contemporary Art, North Miami, Florida.

Click here to read more about Pablo Cano in the CANY blog.

The NSU fort Lauderdale Museum – Virtual Resource

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thumbnail Mar 11

Ogunquit Museum Exhibits Alberto Rey

Alberto Rey’s work explores identity, place and the natural environment. Rey is one of the first Cuban Americans whose work discusses and investigates the experience of dislocation brought about by immigration.

Alberto Rey was born in Agramonte, Cuba and was raised in Pennsylvania. He now teaches painting at SUNY, Fredonia.

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thumbnail Oct 28

Carmen Herrera – Indoor and outdoor Exhibit

Carmen Herrera- exhibit indoor/ outdoor Museum of Fine Arts Houston and Buffalo Bayou Park.

“Structuring Surfaces” is at the Museum of Fine Arts Houston through January 18, 2021. Exhibit includes a 30 piece collection of her paintings, drawings, prints, wall sculptures, and objects. 

“Estructuras Monumentales” is at Buffalo Bayou Park through April 23, 2021.  The exhibition is the Houston debut of four recently completed aluminum sculptures that Herrera began in the 1960s.  

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thumbnail Nov 30

Group show PRIMERA REVANCHA, at Pinta Miami

Dec 1 – Dec 4, 2016

Curated by Omar Pascual Castillo

Pinta Miami  Booth B29
318 NW 23rd St,
Miami, FL 33127

Featured artists:

Alejandro Aguilera, José Bedia, Ariel Cabrera, Carlos Cárdenas, Luis Cruz Azaceta, Ofill Echevarría, Alexis Esquivel, Tomás Esson, Flavio Garciandía, Maykel Linares, Enrique Martínez Celaya, Marta María Pérez Bravo, Geandy Pavón, Segundo Planes, Juan Miguel Pozo, Ernesto Pujol

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thumbnail Nov 28

AUTOPIA: Road Trips from the Cold War to the Present, at Bakehouse Art Complex, Miami

Nov 28, 2016 – Jan 13, 2017

Opening Reception: Monday, Nov. 28, 2016    7-10 pm

Curated by Elvis Fuentes and Gabriela M. Fernandez

Audrey Love Gallery
Bakehouse Art Complex
561 NW 32nd Street
Miami Florida 33127

Autopia explores the ubiquitous presence of the automobile in contemporary culture. “Autopia” combines the words auto and Utopia to highlight the importance that the car industry played as one of the paramount symbols of progress in the 20th Century. What is its place in contemporary culture? Does car culture remain central to our ideal of progress? In this exhibition, the legacy of automobiles is being reviewed and reassessed through the work of artists from three continents.

The exhibition is divided in four thematic groups, dealing with the central role of cars in the American High/Way of Life, the USA-USSR fight for consumers’ hearts and minds during the Cold War, the impact of automobiles in the natural realm, and the ways in which it has affected human lives, rewriting maps through commerce and migration, and changing urban centers like Miami.

Participating artists include:
Jairo Alfonso, Adrián Balseca, Yael Bartana, César Beltrán, Timothy Buwalda, Carlos Luis DeMedeiros, Rigoberto Díaz Martínez, Daniel Evans, Luis Gispert, Pablo Helguera, Alex Heria, Marisa Jahn, Ernesto Kunde, Volodymyr Kuznetsov, Carlos Marcial, Frank E. Martínez, Julio César Morales, Alex Núñez, Rob Pruitt, Rubert Quintana, Ishmael Randall Weeks, Jorge Rodríguez Díez, Betsabée Romero, Lázaro Saavedra, Peter Sarkisian, Daniel Silvo, Pedro Vizcaíno

 

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thumbnail Nov 8

FALL SEMESTER 2016 public lectures, at the Institute of Contemporary Art, Miami, FL

Wednesday, Nov 16 – Friday, Nov 18, 2016

Institute of Contemporary Art
4040 NE 2nd Ave,
Miami, FL 33137

Fall Semester invites you to its second iteration of public lectures and open forums happening from Nov. 16—18, 2016.

Fall Semester brings together a diverse group of theorists, critics, researchers, and interested individuals to engage in multifaceted discourse on contemporary society and culture. Through public lectures and a digital platform, the second iteration of Fall Semester addresses current intersections of what constitutes the self. After discussing Miami as a globalized city in its inaugural session in 2014, Fall Semester now turns its focus to the city’s inhabitants, those directly affected by current social and economic change.

Fall Semester is the project of artists Felice Grodin, Odalis Valdivieso, Angela Valella, Marcos Valella, and Antonia Wright. Collectively they have developed an organizational strategy to unite the contributors’ discussions into a cohesive program providing a platform for both speakers and attendees. The project arose from their concerns with global issues which have influenced their individual practice and research.

 

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thumbnail Nov 4

LUIS CRUZ AZACETA: Swimming to Havana, at Lyle O. Reitzel Gallery, New York

November 5 – December 30, 2016

Opening Reception: Saturday, November 5, 2016, 7 p.m.–9 p.m.

Lyle O. Reitzel
139 Eldridge Street
New York, NY 10002, USA

 

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thumbnail Oct 10

Carmen Herrera: Lines of Sight, at the Whitney Museum of American Art, NY

Sept 16, 2016–Jan 2, 2017

Whitney Museum of American Art
99 Gansevoort Street
New York, NY 10014

Carmen Herrera: Lines of Sight is the first museum exhibition of this groundbreaking artist in New York City in nearly two decades. Focusing on the years 1948 to 1978, the period during which Herrera developed her signature style, the show features more than fifty works, including paintings, three-dimensional works, and works on paper. It begins with the formative period following World War II, when Herrera lived in Paris and experimented with different modes of abstraction before establishing the visual language that she would explore with great nuance for the succeeding five decades. Many of these works have never been displayed before in a museum.

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thumbnail Oct 4

Armando Guiller: Patterns and Beauty at William Paterson University, New Jersey

September 6 – October 14, 2016

Artist Talk: Armando Guiller
Thursday, October 6
11:00 a.m. – 12:00 p.m.
Court Gallery

William Paterson University Galleries
300 Pompton Rd
Wayne, New Jersey 07470

New Jersey-based sculptor Armando Guiller investigates the aesthetics found in the principles of geometry and nature in the exhibition Armando Guiller: Patterns and Beauty, which will be on view at the William Paterson University Galleries from September 6 through October 14, 2016.

The exhibition, in the Court Gallery of the University’s Ben Shahn Center for the Visual Arts, features Guiller’s sculptures from the “Free Matter,” “Helical,” and “Spiral” series, which reveal the influence of such artistic movements as Constructivism and Minimalism as well as Newtonian and Euclidian principles. Trained as an artist and mechanical engineer, Guiller is fascinated by “finding the patterns that surround us and in some way guide us.”

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