thumbnail Jan 16

Agustin Fernandez: Armaduras

ICA Miami invites you to a Zoom presentation on the release of its latest publication on Agustin Fernandez.

Thursday January 21, 2021 at 2 PM


Sign-up here to our Zoom Registration Link

More on Agustin Fernandez from the CANY Blog

Wikipedia link

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thumbnail Jan 15

Rubén Torres-Llorca, José Bedia, Cruz Azaceta, González-Torres, Ana Mendieta, Sandra Ramos, Carlos Rodríguez Cárdenas, among Cuban artists included in “A to Z of Caribbean Art”, an anthology of artists of the Caribbean

Robert & Christopher Publishers, a Trinidad-based art book imprint, has published an anthology of important artists from the Caribbean, including Cuban artists from the diaspora.

A to Z of Caribbean Art is a joyous celebration of the lives and works of many of the most outstanding, prolific, groundbreaking, critical, fascinating, and controversial artists of the Caribbean. Thanks to the abécédaire format of this book, a multiplicity of artists have ended up in lively dialogue here. We connect people separated by geography, language, and time: 120 years of movements, moments, schools, and sociopolitical contexts; countries as far apart as Bermuda in the north to Guyana in the south; and the French, Dutch, English, and Spanish Caribbean.

Each artist is represented by a page that shows a definitive work, biographical details, and a short write-up about their oeuvre. These artists were selected based on a number of factors, including critical discourse around their work, inclusion in a significant publication, work written about in regional or international trade magazine, and participation in a curated exhibition at a major institution, or at a regional or international biennial.

Rubén Torres Llorca One of Us Can Be Wrong (2010)

Paperback: 304 pages
Published by: Robert & Christopher Publishers, November 2019
ISBN: 978-976-95344-9-0
Language: English

Cuban artists in CANY blog

Videos of Cuban artists in Youtube

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thumbnail Jan 13

Cabin Fever Artist Talks – Features Cuban-born Jorge Wellesly

The Visual Arts Center of New Jersey recently launched another video installment of their Cabin Fever Artist Talks. In this latest episode, Cuban-born artist Jorge Wellesly discusses his art. His work is about the relationship between truth, reality and language. The artist states, “I have seen that language is not enough to interpret reality and to communicate truth.” He often uses text in relation to social issues.  But he also uses symbolic elements such as billboards or public signs. He explains that they “remind us of how the power addresses us through media, advertising and now social media.” 

A multidisciplinary artist, Jorge uses various media such as painting, drawing, sculpture, and installation. He always strives to express the complexity of how to create meaning and sense. 

Influenced by Bauhaus and the Black Mountain College, he pays attention to the combination of several disciplines like architecture, science and art.  He also takes ideas from the philosopher Ludwig Wittgenstein who explained that “language is an arbitrary but necessary tool to build our reality.”  

When he lived in Cuba, his art was a mirror of social and political upheaval.  “Any art that criticized the communist government was censored or even punished with incarceration,” he said. For instance, in 2012 the Cuban government denied his artworks for the Havana Biennial.  They claimed the text was politically incorrect.

His move to the US impacted him personally and artistically. In 2019, he completed his first public sculpture. It includes four letters that spell SOUL in different colors to represent human diversity. He currently lives in Guttenberg, NJ.

The Cabin Fever Artist Talks provides methods for bringing people art at home safely as the Covid-19 health crisis continues.  It includes videos of artists detailing their artistic process and presenting studio tours.  

More info on Jorge Wellesly- Cuban Art Database, Cuba Art News

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thumbnail Jan 11

Tomás Esson: The GOAT at Institute of Contemporary Art, Miami

Until May 2, 2021

Institute of Contemporary Art, Miami

61 NE 41st Street
Miami, FL 33137

Cuban artist Tomás Esson exhibits works from the last thirty years.

“Tomás Esson: The GOAT” is the first solo museum presentation for Cuban painter Tomás Esson. On this occasion, ICA Miami brings together works spanning his thirty-year studio practice alongside a site-specific mural and a commissioned reinterpretation of his early painting installations.

From his very first exhibition in Havana in 1988, which was censored and closed by Cuban authorities, Esson has created lively and grotesque paintings loaded with dynamic energy, mythological references, and political commentary. The presentation will include early works, as well as painting from Esson’s “Retrato” (Portraits) series and his “Wet Paintings” series. Each of these three bodies of works began in one of the different cities where Esson has lived and worked—the early paintings in Havana, the “Retratos” in Miami, and the “Wet Paintings” in New York City.

For more information check out: https://icamiami.org/exhibition/tomas-esson/

Tomás Esson at CANY blog

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thumbnail Jan 7

MARIO PETRIRENA RECOLLECTS IN MOOD RING

“Don’t be afraid to make mistakes, to fail,” advises Cuban-American artist Mario Petrirena.  He shared his personal philosophy in Mood Ring. Mood Ring is a segment of Burnaway. Burnaway publishes a magazine and daily content that celebrates art in the South. Mario is the latest artist to be featured in Mood Ring. His article is titled “Mario Petrirena: Personal Thoughts on Process and Progress.” In the short journal-style piece, he provides guidance for budding artists as well as overall tips on living life. He writes: “You have to have a certain strength to put your work out there. Do it. The good, the bad and the ugly; all make us who we are.”

Along with his advice on art and life, he also shared photographs of his current works in progress. He collects old items and pieces from magazines to create collages in his artworks.

Mario Petrirena lives and works in Atlanta. His artworks, which include sculpture and installation, often express his dual-heritage and identity as an exile.  Petrirena attended the Rochester Institute of Technology School for American Craftsmen and the University of Florida. His work is visible in the collections of the High Museum of Art, Atlanta, GA; the Museum of Art Fort Lauderdale, FL; Hartsfield-Jackson International Airport, The Cintas Foundation, NY; the Carter Presidential Center, the Paul Jones Collection at the University of Delaware; MOCA GA, the Ogden Museum in New Orleans and numerous private collections.

Read more about Mario Petrirena on the CANY Blog

Cintas Foundation Link

Cuba Art NY Link

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María Magdalena Campos in Group Show ALIEN NATIONS 2020 at Coral Gables Museum

Carole A. Fewell Gallery

December 1st, 2020 – March 14th, 2021

Cuban Artist María Magdalena Campos is part of the group show ALIEN NATIONS 2020 at the Coral Gables Museum in Miami.

Alien Nations 2020 gathers a group of artists who convey different forms of alienation. It looks at a myriad of issues that are affecting the psychological state of the individual and the different groups within which we live.

Nearly two dozen creatives, both emerging and established, many with connections to South Florida, exhibit works in a broad range of media – painting, photography, sculpture, installation, video, and performance documentation. Inscribed in a long tradition of responses to troubled times, these pieces not only portray the current socio-political and economic landscape, but also share sensitive insights into the direction of our humanity, and hope for the future.

Events:

January 9 @ 2:00 pm – 3:30 pm

Artist Panel: Alien Nations

To RSVP for the panel: https://us02web.zoom.us/meeting/register/tZcsc-mqrz0oHdL1ZVt3QpNfuva_RbEuSMUB

After registering, you will receive a confirmation email containing information about joining the conversation.

María Magdalena Campos at CANY BLOG

María Magdalena Campos online

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thumbnail Jan 4

Guttenburg Arts Presents Winter/Fall Residencies

The Space and Time Artist Residency (STAR) from Guttenburg Arts provides $1,200 stipend to cover materials, travel and lodging for awardees. Gutenberg Arts provides artists with opportunities to create cultural experiences.  

Artists gain access to a professional workspace for the visual arts that includes printmaking, dark room and ceramics facilities. The duration of the residency is three months, and it is located in Guttenberg, New Jersey.  Each participant gains a spot in a group show at the end. In addition, they will spend at least fifteen hours in the studio.  The 4,500 sq. ft. space is open twenty-four hours, seven days a week.  Towards the end of the program, artist give a free public artist lecture or workshop. 

The residency is a prime opportunity in the tri-state area. Successful Artists visit the residents, which gives them a chance to be seen.  After all, in the arts, as in almost everything else, it’s all about who you know.  
The deadline to apply is January 31, 2021. Gutenberg Arts just tweeted on January 1st. “We’ve extended our Open Call for the Fall ’21 & Winter ’22 Space and Time Artist Residency!  Apply at http://guttenbergarts.submittable.com/submit by January 31st!  As always it’s #freetoapply

Link to Guttenberg arts page:–>http://www.guttenbergarts.org

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thumbnail Dec 31

“Artivism” in Today’s Cuba for Free Expression

Now is the time more than ever to support Cuban artists.  Many Cubans have fled the island because of political oppression. Many more have left for economic reasons.  A few have escaped due to artistic limitations on their freedom of expression. In fact, at the moment on the island, there is a whole community of artists who are protesting for freedom of expresion.  On November 27, 2020, over 300 artists and their supporters protested in front of the Ministry of Cuba.  

Artist and Writer Coco Fusco journaled the event for the Museum of Modern Art in New York.  For her article “The Right to Have Rights,” she interviewed a series of artists: Camila Lobón, Julio Llópiz Casal, Luis Manuel Otero Alacantra, and Reynier Leyva Novo.

They call the new “artivist” movement 27N. It is a reaction to police brutality towards The San Isidro Movement, a group of artists staging a hunger strike against the arrest of a rapper. 
The event on the 27th was unprecedented because thirty of the protestors were allowed inside to speak with political leaders.  “I personally had never experienced such a democratic event in Cuba before,” said Julio Llópiz Casal.

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thumbnail Dec 30

Cuba Art NY

Fall online exhibit – Closing event

The icing on the cake… after an incredible online exhibit – the closing event. CANY presents in conjunction with Rialta Magazine – Four Art historians, art curators discuss the 8 women artists included in the CANY online fall show. <<In Spanish>>

Don’t miss it !

Ninguna mujer es una isla: ocho artistas en CANY Conversatorio con la participación de Suset Sánchez, María de Lourdes Mariño, Janet Batet, Meyken Barreto y Tanya Álvarez.

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thumbnail Dec 28

Weaving a Familial History in Cuban-American Piñatas

Multidisciplinary artist Elizabeth Mesa-Gaido is currently participating in  A Common Thread: Textiles Past & Present. She expresses themes related to her experience as a Cuban exile in her work.  In Cuban-American Piñatas, she wove together colorful fabrics into suitcase-shaped piñatas. They represent her journey back to her homeland. Like many other Cuban-Americans, she visited the island with her family. They carried suitcases packed with goods and supplies to distribute to those in need. 

The piñata suitcases allude to the concept of redistribution of goods, which is the basis of communism. Even though pinatas are typically Mexican, the artist uses them to highlight a communal activity. Each person picks a ribbon and grabs the shared goods within. “It’s ironic because we think of communism as a group activity, and yet for many, it hasn’t worked out so well when commodities cannot be distributed to everybody that needs them,” expressed Mesa-Gaido. 

Her Cuban-American Piñatas and other works are currently part of  A Common Thread: Textiles Past & Present.  The exhibit showcases contemporary innovations in textile art. It will be on display through Jan. 9, 2021 at The Art Center of Greenwood in South Carolina. 

She is currently Professor of Art at Morehead State University.

Check out more articles about Mesa-Gaido from the CANY blog!

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thumbnail Dec 24

The DAM Presents a two film installation by Ana Mendieta


The Denver Art Museum presents Suspended Fire, a two film installation from Cuban-born artist Ana Mendieta which will run from December 6, 2020 to March 7, 2021. This work will make you think. It explores the voyage of civilization to understand the concept of light from both a physical standpoint and a metaphorical one. 

Ana Mendieta was born in Cuba in 1948. She died in NYC in 1985. She is best known for using her body as an instrument in her art. In the Silueta Series, she places images of her naked body against various backdrops like space or a fallen tree.

 Wikipedia link

Posts on Ana Mendieta

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thumbnail Dec 23

Open Call for Miami Artists: Locust Projects Gifts in Wavemaker Grants

Attention Miami artists, curators, and collectives! Locust Projects, Miami’s longest running alternative art space, has announced an open call for grants. Information sessions will begin in January 2021 and applications will be due in the Spring. They have awarded $399,000 in arts grants since 2015. During this period, they have gifted up to $6,000 to seventy-seven of Miami’s most visionary artists, curators, and collectives.  

Locust Projects is a local leader in exhibiting innovative works. They take risks outside of traditional art markets and institutions and provide artists with an outlet for experimentation.  Their mission as a non-profit organization includes engaging the local community. They publish, present and produce completed works for view at their location in Miami’s Design District.

The Andy Warhol Foundation for the Visual Arts makes the Wavemaker Grants possible.  They are the first regional regranting program in the southeast. They are part of a national network together with sixteen other Warhol-initiating regranting programs. Awards categories include three groups: Research & Development + Implementation, New Work / Projects, and Long-Haul Projects. 

In 2020, Wavemaker at Locusts awarded $6,000 to four artists in each of the categories. One of the grantees in the area of Long-Haul Projects was Cuban-american artist Sebastian Duncan-Portuondo. In his work Project Exile, he explored the experiences of exiles in the community as marginalized people.    

This year they are allowing grantees affected by COVID-19 to use fifty percent of the funds for supplementary income. Locust Projects encourages artists to adapt their creative vision to concepts explored in light of the pandemic. 

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thumbnail Dec 19

El Museo del Barrio Commemorates Cuban Protest Artists

El Museo del Barrio is a non-profit arts organization dedicated to preserving Latino, Caribbean, and Latin American culture.  Contrary to the name, it’s more than just a museum. It’s a cultural institution with educational programs, film screenings, art exhibitions, and social gatherings.  It’s a hub for Hispanic arts and culture art in the heart of New York City. 

Recently, they commemorated Cuban artists who bring awareness to the injustices occurring in Cuba in a series of Facebook posts. As they stated in the posts: “Cuban art has been a vital part of the mission of El Museo del Barrio over the years as shown through its exhibition program and Permanent Collection.”  

Over the week of December 7 to December 12, five artists were featured.  The artists have all created works of art that speak to the diaspora. This week, we are proud to highlight works by Cuban artists, who courageously, through visual arts, bring light and awareness to the escalation of human rights violations they endure.” 

One of the artists, Tania Bruguera, was incarcerated by the Cuban government.  A photograph from her 1998 performance art piece titled The Burden of Guilt is featured in the post. She is holding the carcass of an animal. In the shocking piece, she draws attention to human rights violations in Cuba. In her artistic statement, she describes it well: “The burden is really the slaughtered lamb that hangs from the neck like a shield, like an open wound that reveals what’s inside.  The lamb is the weight that is carried as a consequence, as well as a symbolic attitude; the emotion, saltwater, which drops like tears and washes the earth, which is the guilt, before it is digested.
Another of them is Roberto Cartel whose exemplary piece Cartel de Propoganda Conferencia de Derechos Humanos from 1994 is known for drawing attention to human rights violations in Cuba.

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thumbnail Dec 12

Panel discussion “Ninguna mujer es una isla: ocho artistas en CANY”

Panel discussion in conjunction with our current exhibition, Fall for Her

Tuesday, December 15 2020 4 pm EST (GMT -5) ****This panel is in Spanish.****

Via Facebook Live: Click here

Participants:

Suset Sánchez, María Lourdes Mariño, Janet Batet, Meyken Barreto, Tanya Álvarez (moderadora)

CANY online exhibit FALL FOR HER

CANY Online Gallery

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thumbnail Dec 8

Miami Art Week: Faena Art Features Cuban-born Artist

“Now is no time to think of what you do not have. Think of what you can do with what there is,” is a passage easily applicable to today’s time. Cuban-born artist Alexandre Arrechea took it directly from the text of Hemingway’s The Old Man and the Sea. The novel is the literary inspiration for his latest installation Dreaming with Lions. Faena Art will present it on the beach until December 6.

The colossal installation was assembled in front of the Faena Hotel on Miami Beach during Miami Art Week. It is an existential work with many symbols. Measuring a 62’ diameter, the work resembles a giant forum-style library.  Arrechea also incorporated beach towels with illustrated phrases, like the one above, from the novel.      

Through the artwork, the artist seeks to express the sheer force of the human spirit during these perilous times.  He reconstructs the ideals of hope, faith and strength of the human spirit prevail in the face of the moral challenges.  The library style of the work further enhances the ideological constructs. 

“Dreaming with Lions” proposes action and reflection. That we reflect upon coherence and respect of oneself and others, and that we continue to invent ways to confront our destiny while maintaining integrity and grandeur,” expressed the artist. 

Arrechea was born in Trinidad, Cuba in 1970, and he currently lives in Miami, FL.  He graduated from the Instituto Superior de Arte (ISA) of Havana in 1994.

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Miami Businessman Promotes Cuban Art with Fine Arts on the Plate

Fine Arts on the Plate is the current exhibition of Cuban art displayed at the Kendall Art Center (KAC).  Forty-five artists of Cuban origin who live outside of the island have participated in the show. KAC will display the plate art at their showroom in South West Miami until February 2021. 

The founder Leonardo Rodriguez conceived of the idea to have artists paint on original plates instead of large canvases as a result of the COVID-19 pandemic.  He wanted to not only bring back the forgotten art of ceramics but also provide a financial opportunity for artists.  “Not everyone has 8 or 10 thousand dollars to buy a canvas, but anyone has one thousand or one thousand two hundred dollars to pay for a plate,” he explained to Alona Martinez of the Miami Herald. 

Originally from Cuba, Rodriguez founded the art center because he wanted to promote Cuban artists working outside the island. He is committed to helping artists who are exiled from Cuba. “The Cuban artist, when he leaves Cuba, is forgotten…I wanted to show the world that the artist that is in Miami keeps being a Cuban artist and is very professional,” he mentioned to the Herald. Even though most of the artists that KAC exhibits are from Miami, they have also displayed the art of Cuban artists living in Japan, Spain, and Boston.  

The Kendall Art Center is a non-profit organization, which opened to the public in the summer of 2016. Rodriguez created the gallery accidentally in order to house his vast collection of Cuban art. He began collecting pieces as a young adult in Cuba. His mother worked at the renowned Museo Nacional de Bellas Artes. As a young child, he garnered a love for art. He had access to one of Cuba’s most extensive art collections.  He needed a space to store all of the art overflowing in his home. It was more of an experiment to the business owner, who was unsure if anyone would visit the center. To his surprise, about 200 people attended the private collection.  Now, about 20,000 people visit the KAC yearly.  With over 600 pieces, his private art collection is one of the largest collections of contemporary Cuban art in Miami.

Link:—> Wikipedia

Link:—> KAC web page

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Cuban-American artist ERNESTO BRIEL exhibit’s IRIDESCENT GEOMETRIES at Juan Carlos Maldonado Art Collection

DATE: Thursday, November 19, 2020 –
Saturday, March 20, 2021

TIME: Tuesdays to Fridays 10:30 am – 5 pm, Saturdays: 11am – 4pm

PLACE: Juan Carlos Maldonado Art Collection

The Juan Carlos Maldonado Art Collection presents our new exhibition of cuban artist Ernesto Briel: Iridescent Geometries. 

Since its inception in 2005, the driving force behind the Juan Carlos Maldonado Art Collection, JCMAC, has been to recognize and generate awareness on the contribution that Geometric Abstraction has made to art history in the twentieth century. With the title Iridescent Geometries, JCMAC gives continuity to the exhibition project that began six years ago.

Since then, its objective has been to promote the study of modern and contemporary art at an international level, with an emphasis on abstract-geometric practices. On this occasion, and after having exhibited part of the collection, he focuses his attention on the work of Ernesto Briel, a Cuban optical artist whose production is practically unknown, even among specialists in Latin American art.

Ernesto Briel at Sotheby’s, by Gustavo Valdés

Ernesto Briel at CANY Blog

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thumbnail Nov 25

FOCUS: exhibit by Cuban-American Photographer Mario Algaze

November 3 – December 31, 2020

Mario Algaze is a contemporary Cuban-American photographer whose work celebrates the culture of Latin America.

In 1960, at the age of thirteen, Algaze was exiled from Cuba with his family. He relocated to America and settled in Miami, Florida. Miami offered a rich cultural mecca that encouraged Algaze to travel throughout Central and South America. These trips allowed him a glimpse of belonging within a familiar culture.

In finding his identity after exile, he began photographing Latin America in the 1970’s while reconnecting with the feeling of home. His photographs embody the everyday of Latin life. Between his travels in the late 70’s, Algaze studied visual art at Miami Dade College. Algaze’s masterful command of light illuminates his street scenes that detail the struggles and victories of Latin culture.

Mario Algaze is the recipient of various acclaimed awards, including the Florida Artist Fellowship from the Florida Arts Council (1985), the Cintas Foundation Fellowship in Photography (1991), the Visual Arts Fellowship and the SAF Artist Fellowship sponsored by the National Endowment for the Arts. In 1992, he received the National Endowment for the Arts Fellowship in Photography.

Mario Algaze at Wikipedia

Mario Algaze at CANY Blog

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thumbnail Nov 23

Cuban-American Gladys Triana Interviewed for VoCA Talk Series

In January 2020, contemporary art conservator and VoCA colleague Ruth del Fresno-Guillem interviewed Cuban-American artist Gladys Triana. They discussed her philosophical influences, her family life, and her life-long career. The discussion is part of the fifth season of the ongoing VoCA (Voices in Contemporary Art) Talks series. The Talk series is hosted in partnership with the Joan Mitchell Foundation’s Creating a Living Legacy (CALL) Program.

Links:

Wikipedia Link

Cintas Foundation Fellow

Search in CANY Blog


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thumbnail Nov 22

105-Year-Old Artist Carmen Herrera Has a New Mural in East Harlem

Carmen Herrera, the 105-year-old Cuban American abstract painter, has a new mural in East Harlem. Uno, Dos, Tres just went up on the walls of the Manhattan East Academy, a school on E. 100th Street. Painted by students from across the city, through a partnership with the arts and education nonprofit Publicolor, it’s a mesmerizing black-and-white optical pattern that’s two stories tall, and visible from the FDR.

When Herrera was approached to do the installation, what excited her the most wasn’t the mural itself; it was that students would be painting it. The students were supposed to paint the piece ahead of her birthday in May, but the coronavirus pandemic delayed the process. It took the students ten weeks to complete the mural, which is composed of 96 separate boards that were assembled on site.

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Cuban-American Master Embraces the Chaos of Covid

Cuban-American master Luis Cruz Azaceta has created five new pieces during the lockdown of 2020. The artist transmuted the chaos of the pandemic into his artistic vision. He addresses the “poetic window of the virus and its state of mutation; a cacophony of horror and beauty” in his Pandemia paintings.

“Luis Cruz Azaceta: Personal Velocity in the Age of Covid,” will be on display at the Lyle O. Reitzel Gallery in Santo Domingo from Nov. 26th, 2020 to Jan. 30th, 2021. In addition to the new pandemic pieces, the exhibit will include six retrospective pieces, which he produced from 2007-2019. All the pieces in the show are all connected through the artist’s iconography.

Born in Havana in 1942, Azaceta left the island in 1960 when he was a teenager . He immigrated to New York, where he graduated from The School of Visual Arts. Throughout his 40-plus year career, his works have reflected social issues including the AIDS crisis, the war in Iraq, and the migration of Cuban rafters.

His work has been displayed nationally and internationally, and he has won numerous awards from some of the most prestigious institutions.

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thumbnail Oct 28

Carmen Herrera – Indoor and outdoor Exhibit

Carmen Herrera- exhibit indoor/ outdoor Museum of Fine Arts Houston and Buffalo Bayou Park.

“Structuring Surfaces” is at the Museum of Fine Arts Houston through January 18, 2021. Exhibit includes a 30 piece collection of her paintings, drawings, prints, wall sculptures, and objects. 

“Estructuras Monumentales” is at Buffalo Bayou Park through April 23, 2021.  The exhibition is the Houston debut of four recently completed aluminum sculptures that Herrera began in the 1960s.  

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thumbnail Oct 15

Shifting Streams – Twelve Artists by the Hudson River

Hostos Center for the Arts & Culture, in conjunction with the Bronx Council on the Arts, will present Shifting Streams – Twelve Artists by the Hudson River in a 3D virtual space that replicates The Longwood Art Gallery @ Hostos. The exhibit brings together a group of twelve artists of Cuban origins who live and work on the west bank of the Hudson River, New Jersey where they have settled at different times of their lives and careers. The surrounding waters of their lives have shifted from the warm waves of the Caribbean Ocean to the peaceful streams of the Hudson River. Various subjects can be discerned within the variety of mediums and creative processes of these artists such as: the exploration of domestic spaces, communities, dreams, the self; anthropological revisions of material culture, history, economy, art; the aesthetics found in the principles of geometry and nature, the embodiment of cultural processes as well as the recreation of imaginative realms.

SCHEDULE AND ONLINE PUBLIC PROGRAMMING

  • Opening – Wednesday, October 7, 2020
  • Panel Discussion – Artist Public Talk Tuesday, November 10, 2020 at 5 PM
  • Closing – Wednesday, December 9, 2020

GUEST CURATOR
Meyken Barreto

PARTICIPATING ARTISTS
Jairo Alfonso
Douglas Arguelles
Kenia Arguiñao
Javier Caso
Sandra Cordero
Napoles Marty
Geandy Pavon
William Perez
Alain Pino
Pedro Valerino
Danay Vigoa
Vanessa Felnández

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thumbnail Nov 23

GORY: Notes for a Retrospective, at Aluna Art Foundation, Miami

From November 21, 2015 to January 16, 2016

Opening Reception: November 21, 7:00pm

Curated by Aluna Curatorial Collective (Adriana Herrera y Willy Castellanos)

Aluna Art Foundation
1393 S.W. 1st. Street
Miami Fl. 33135

The notion that Art History is a theoretical and iconographic narrative where its construction – and deconstruction – can and should pass, given by the tension amongst the diverse modes of hegemony that captures its account, was vital for the conception of the exhibition by “Rogelio López Marín, “Gory”: Notes for a Retrospective”. As such, Aluna Curatorial Collective (Adriana Herrera y Willy Castellanos) makes a merited lengthy homage, to one of the pioneers of contemporary art in Cuba, owner of a vision that is as much personal as irreducible, and whose decisive contribution to art and photography – in the island and in the continent -, deserves to be re-dimensioned.

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